Tavistock Square, London: Published by Leonard and Virginia Woolf at the Hogarth Press, 1934. Small octavo. Stiff pale duck-egg blue paper sewn wrappers, lettered in black; 32pp. Illustration of a dinner table on upper panel by Vanessa Bell. Slight rubbing at shelf-edge, light finger smudge to lower panel, else very.....
London: L. J. Maxse, 1905. Folio. Printed wrappers. vii,192,ix-xii pp. Cracking and losses to spine with a one-inch square loss to rear panel near upper spine; bookplate of Hogarth Press and all things Bloomsbury-related collector, William Beekman affixed to verso of upper wrapper, else very good. Rare.There has been little.....
New York: Holt, Rinehart and Winston, [1979]. Cloth and boards, gilt spine. Black and white photo illustrations. A fine, unmarked copy in a lightly rubbed dust jacket.First American edition. Mixing personal and literary history, Lehmann writes of his friendship and partnership with Leonard and Virginia Woolf at the Hogarth Press.....
Tavistock Square, London: by Leonard and Virginia Woolf at The Hogarth Press, 1937. Bell, Vanessa [dust wrapper]. 1st Edition. Hardcover. Pale green cloth printed in gilt. 7 1/8 x 4 3/4" Cream dust wrapper printed in black and brown, designed and signed in the design by Vanessa Bell. A very.....
Camden, NJ: The Dial Publishing Company, December 1924. Printed salmon wrappers, staple bound. i-viii,[2],451-540,ix-xxiv pp. Tipped in color frontis, "King Lear," by Pablo Picasso. Twenty four pages of adverts in total. A remarkably fine copy. First edition. Scofield Thayer, editior, and Alyse Gregory, managing editor. Extended essay on Virginia Woolf.....
New Haven: Yale University Press, 1930. SUMMER 1930. Octavo, pp. 754-761. Tear-sheets, side-stapled in their original blue printed wrappers. Offprint from THE YALE REVIEW, Summer 1930. Wrapper's lap-edges with small nicks, UK bookseller's pencil notations [original price list advice at £500 laid in] on p.xxix, bookplate of the noted Virginia.....
London: Hogarth Press, 1966. Duncan Grant:. 1st Edition. Hardcover. Gilt purple cloth boards. Frontispiece and five additional illustrations by Duncan Grant. A faint trace of foxing to endsheets, otherwise a near fine, bright copy, without printed dust jacket, as issued. Essential to a complete Virginia Woolf/Hogarth collection. First separate edition.....
Greenwich, CT: The Dial Publishing Company, July, 1923. First edition. Octavo. Original salmon-colored wrappers, printed in black, staple-bound. Frontispiece, seven plates, twenty total pages of advertisements. Spine lightly wrinkled with no losses, rub on upper wrapper at lower binding staple, small publishing nick on two leaves, the very occasional spot.....
New York: Harcourt, Brace & Company, [1927]. First American Edition, Third Impression. Octavo. Green cloth boards with bright blue lettering and lighthouse device to the upper panel, spine lettering faded. Minor shelf wear, corners bumped. Textblock modestly toned. 310,[2] pp. Very good, lacking issued dust jacket. Virginia Woolf's To the.....
Mecklenburgh Square, London: The Hogarth Press, 1941. Publisher's bright blue cloth, lettered in gilt. 256 pp. 7⅛ x 4¾ in. White dust jacket printed in black, designed by Vanessa Bell, with "Vanessa" in the bottom right corner rather than the usual "V.B." Boards clean, spine has sunned line at crown.....
Tavistock Square, London: by Leonard and Virginia Woolf at The Hogarth Press, 1935. 1st Edition. Hardcover. Original teal cloth, spine lettered in gilt. Crown and toe of spine sunned, else a tight, bright near fine copy in a good printed dust jacket with wear and sunning confined to the spine.....
New York: Harcourt, Brace and Company, [1925 (1930)]. Octavo. Red cloth boards, blind-stamped, gilt spine. [iii],334pp. 8¾ x5¾ in. Cream pictorial dust jacket printed brown and green, designed by Vanessa Bell. Boards bright and clean, ink ownership signature and date on front free endpaper, edges dusty, otherwise very good or.....
New York: Harcourt, Brace and Company, 1942. 1st Edition. Hardcover. Cloth. First America edition. Some tanning at endsheet gutters, a few minor spots to cloth, but a very good copy; in Vanessa Bell illustrated, price-clipped, chipped, worn dust jacket, rear panel of which lists Virginia Woolf titles in its catalogue.....
New York: Harcourt Brace Jovanovich, [1978]. First edition. Tall octavo. Printed blue wrapper. Fine in slightly frayed proof dust jacket. Uncorrected page proofs of the first U.S. edition, edited by Anne Olivier Bell and assisted by Andrew McNeillie. A laid in sheet corrects the assertion on the upper wrapper, but.....
New York: Harcourt Brace Jovanovich, 1980. 1st Edition. Soft cover. Printed wrappers, paper label. Uncorrected page proofs of the first American edition, edited by Anne Olivier Bell and Andrew McNeillie. Edges and spine sunned, otherwise fine with promo sheet affixed inside front wrapper which states, "The third part of the.....
London: The Hogarth Press, 1933. Vanessa Bell. First edition. Cloth, gilt stamped spine. Frontis and plates. Four original drawings by Vanessa Bell, and six other illustrations. Usual tanning to cloth at edges and spine, otherwise a good copy in imperfect, soiled dust jacket that lacks most of the spine panel.....
London: The Hogarth Press, 1958. Octavo. Sky-blue cloth boards, spine lettered in gilt. 240pp. 8 ⅝ x 5 ½ in. All edges trimmed. Editorial note by Leonard Woolf. White dust jacket printed in black and sky-blue, designed by Vanessa Bell with her initials and date in the design. Slight offsetting.....
London: The Hogarth Press, 1943. Red cloth, stamped in black. Foreword by Leonard Woolf. Vanessa Bell designed dust jacket. A good or better copy of the first printing of this work, now uniformly toned as both book and dust jacket were printed on highly acidic wartime paper stock. Bell jacket.....
Richmond: Published by Leonard and Virginia Woolf at the Hogarth Press, 1922. First edition, first impression. Octavo. Original publisher's crocus-yellow cloth boards, white label lettered in black on spine. 290,14pp. 7½ x 5 in. Published 27 October 1922, only 1200 copies printed at 7s. 6d. Boards are cleaner than usual.....
Tavistock Square, London: by Leonard and Virginia Woolf at The Hogarth Press, 1932. John Blanchard. 1st Edition. Soft cover. Cream pictorial sewn wrappers printed in black and green, designed by John Blanchard. First edition, issued as Hogarth Letters No. 8. Some soiling along edges, an effusive gift inscription in ink.....
New Haven: Yale University Press, 1930. Large quarto. Original blue printed wrappers, signatures sewn. Vol. XX September 1930 No. 1. [lvi,216,lxiv pp.] Wrapper's lap-edges with small nicks, short split to upper wrapper at spine edge, tape residue to top edge of the upper wrapper and similarly to the top edge.....
London: The Hogarth Press, 1947. Pale ruby red cloth, gilt spine. First edition. Prefatory editorial note by Leonard Woolf. A very good, bright copy with a tiny bookseller's label on the pastedown; in a chipped and darkened pink dust jacket, printed in black, designed by Vanessa Bell, with a clean.....
New York: Harcourt brace Jovanovich, [1981]. Lavender cloth, blind-stamped panels. Second American edition, with foreword by Maureen Howard. Silver title on spine sunned and faded, else about fine without the issued paper slipcase. A pretty copy of an undeniably wonderful book.
Tavistock Square, London: Published by Leonard and Virginia Woolf at the Hogarth Press, 1928. Octavo. Orange cloth, lettered in gilt. 300pp. 8 ⅝ x 5½ in. White dust jacket printed in black. The jacket reproduces an unidentified portrait from the Worthing Art Gallery. Frontispiece and seven black and white photographic.....
![Item #411 REVIEWING WITH A NOTE BY LEONARD WOOLF [HOGARTH SIXPENNY PAMPHLETS NUMBER FOUR]....](https://secondwindbks.cdn.bibliopolis.com/pictures/411.jpg?width=320&height=427&fit=bounds&auto=webp&v=1686762725)
Mecklenburgh Square, London: The Hogarth Press, 1939. Octavo. Stiff pale blue stitched wrappers, printed in mauve. 32pp. 7¼ x 4⅞. First edition, published 2 November 1939; 5140 copies printed at 6d. Note by Leonard Woolf follows the text and serves as a low-key rebuttal. Slightly toned at spine edge, otherwise.....