![Item #639 D. H. LAWRENCE: PILGRIM OF THE APOCALYPSE A CRITICAL STUDY BY [ ... ]. D. H. Lawrence,...](https://secondwindbks.cdn.bibliopolis.com/pictures/639.jpg?width=320&height=427&fit=bounds&auto=webp&v=1723493106)
New York: Grove Press, Inc., [1957]. Signed limited edition. Cloth and paper boards, gilt stamped. [4],xxii,118,[2] pp. Extensive introduction. Specially bound, limited edition of 100 copies, of which this is copy number 69, signed by the author. Minor sunning to very top and bottom of boards, else a fine, unmarked.....
[N.p. (Buffalo)]: [Frontier Press], 1971. 1st Edition. Soft cover. Stiff grey-blue paper wrappers with a printed and decorated spine label. Roses and thorns vignette on title page. Fine, as new. First (unauthorized/pirated) edition, based on a preliminary draft, and differing from the poems published a year later by New Directions.....
Camden & New York: The Dial, April 1927. Octavo. Bound in publisher's original salmon wraps printed in black. iv,[3],272-360,v-vii pp. Plates, frontis color plate by Paul Gauguin tipped in. Usual oversized wrappers, else a very fine, pristine copy. Lawrence's work appears here in its first publication on pages 287-301. Other.....
Camden & New York: The Dial, May 1929. Octavo. Bound in publisher's original salmon wraps printed in black. iv,[3],362-450,viii pp. Plates. Usual oversized wrappers, else a very fine copy. Lawrence's poem, which appears on pages 383-84, examines the modern reaction to bodies at play in its first appearance in print.....
Camden & New York: The Dial, July & August 1925. Octavo. Bound in publisher's original salmon wraps printed in black. Two issues. Plates, frontis color plates by Pierre Bonnard & Marie Laurencin tipped in. Usual oversized wrappers, else a very fine, pristine copies. The first appearance of this important Taos story.....
London: Martin Secker, [1926]. First edition. Large octavo. Olive brown cloth, spine stamped in gilt. Small private bookplate in upper corner of the front pastedown, light foxing early and late, otherwise very good and bright. First edition, limited to five hundred copies. A little-known dramatic work (first produced in London.....
London: Martin Secker, 1931. Hardcover. Octavo. Gilt cloth. Later printing of the Secker "Thin Paper" Edition. Spine slightly sunned, gilt very bright, 1934 ownership signature of poet/publisher James Laughlin, else very good.
London: Martin Secker, [1933]. 1st Edition. Hardcover. Octavo. Publisher's original brown cloth with gilt spine. First English trade edition, preceded by a limited edition by the Nonesuch Press in 1930. Includes "A Reminiscence" by David Garnet. Pencil ownership inscription on front free flyleaf, else near fine.
Philadelphia: The Centaur Press, 1925. 1st Edition. Hardcover. Hessian cloth backed, gloriously marbled decorated boards. First edition, US issue, which preceded the UK edition by nine years. An unnumbered copy of the 925 copies bearing the US imprint. Fine, partially unopened, bright copy, lacking the often derelict slipcase. ROBERTS A32.....
London: C. W. Daniel, Ltd., 1920. Stiff salmon wrappers with printed labels. First edition, "Plays for a People's Theatre. II." Small private library book label of Arthur Willliam Foster (1850-1930) on pastedown, wraps slightly tanned, otherwise a nice copy without the outer printed jacket. Arthur William Foster was born in.....
London: Martin Secker, 1930. 1st Edition. Hardcover. Octavo. Publisher's original brown cloth with gilt spine. First English edition. Lovely old UK bookseller's label on rear pastedown, closed fray at top of spine, else a very good copy, lacking the dust jacket.
London: Jonathan Cape, 1930. 1st Edition. Hardcover. Gilt cloth. Portrait frontispiece, two further portraits in text. First edition. Near fine in a somewhat dusty, price-excised dust jacket with only minimal signs of use. ROBERTS F5.