Chicago & New York: Herbert S. Stone and Company, 1900. Small octavo. Crocus yellow boards decoratively stamped in black and green. T.e.g. First edition. 218,[8] pp. Decorated double title page, stamped in red and black. Boards an unsigned design by Frederic W. Goudy; thirty-nine full page woodcuts by Clyde J......
Regensburg: H. Lentz and H.G. Neubauer, et al. c. 1745. First edition. Mezzotint engraving, printed in color, finished by hand, 12.75 x 8.25 inches, platemark (approx); 15.25 x 9.5 inches, overall (approx). Left edge retains sewing stabs, neatly disbound in some earlier century, else a very vibrant example of a......
Hackney, London: The Stourton Press, 1988. Private, Limited Edition. Tall, thin octavo. Red cloth, gilt stamped spine. Frontispiece photograph of Rylands tipped-in. Privately printed for Lord Rothschild, limited edition № 32 of two hundred. Signed by Lord Rothschild on the Rylands photograph "Victor Rothschild," in black ink, and signed below.....
London: Constable & Co., Ltd, [1948]. First edition. Octavo. Teal cloth, silver spine. Collogravure frontispiece portrait. Title page in red and black. 269,[1] pp. Very good; in a good unclipped typographic and decorated dust jacket with some chips and closed tears, mostly confined to the top edge.First edition, first impression.....
London: Jonathan Cape, [1929]. First edition. Octavo. Coffee-brown cloth boards, lettered in gilt on spine; publisher's device of a bowl with monogram in blind on lower board. First edition, first impression. Introduction by Virginia Woolf, pages 9-16, published here in the year her A Room of One's Own was published. Top.....
New York: Yowl Press, Bluebeat Productions, 1964. First edition. Mimeographed typescript, stapled, and #5 & #6 formerly folded for mailing. 8.5 x 11 in. Postal addressing to Greenwich Village address on #5, an East Village address on #6, #7 unaddressed or folded. All very good, #7 near fine. First edition.....
![Item #625 "Virginia Woolf," [contained in] HORIZON A REVIEW OF LITERATURE AND ART. July Vol. VI,...](https://secondwindbks.cdn.bibliopolis.com/pictures/625.jpg?width=320&height=427&fit=bounds&auto=webp&v=1721845470)
[London:]: Horizon, June 1941. Tan wrappers, printed in black. 72 pp. Black & white plates of Anglo-Saxon art. Cyril Connolly, editor. "Frederick Ashton," Beryl De Zoete; "The Freedom of Necessity -- I," Archimedes; "Virginia Woolf," Martin Turnell; "The Petrified Man," Eudora Welty; "The Art of the Anglo-Saxons," T. D. Kendrick.....
London: Constable and Company Ltd., 1911. Pale green cloth, gilt spine. First published in 1907, this is a later impression. 320 pp., four pages of "Works by the Same Author" follows the text. An attractive book plate for the collector Paul Hyde Bonner (1893 – 1968) is tipped onto the.....
London: Freedom Press, 1944. First edition. Pink card wrappers, printed in deep blue. [18.5 x 12.5 cm]. 32,[1]pp. (the text is carried on to its conclusion on the recto of the rear wrapper). Occasional chapter head illustrations, cover design by "Philip." New address of the press stamped on the lower.....
[London:]: Freedom Press, [July, 1945]. First edition, first impression. Printed wrappers, stapled. 16pp. [13.5 x 11 cm.] Lightly toned at edges, else fine. Woodcock was a Canadian political writer who resided in England for the formative years of his life where he pursued his interest in anarchism and Libertarianism. The.....